Food Memory: Vidalia Onion Dip (and a bonus)

IMG_1770   For an onion to be called a “Vidalia” it must be grown in a very specific part of Georgia which includes all or portions of twenty counties. This is mandated by Georgia state law and the USDA. Vidalia onions are now in season and it’s good to stock them when they are available. They are a sweet onion and adapt themselves to a number of uses and recipes.

In the early ‘90s, when I was the resident director at a Birmingham theatre, I worked with an Ole Miss graduate named Catherine. During that time, I often had people up to my apartment on Red Mountain to watch football or play cards and Catherine proved to be a good source of festive party food recipes.

Ole Miss football fans think they invented tailgating. They didn’t; they merely perfected it. And football Saturdays at the Grove on the University of Mississippi campus are legendary, complete with champagne, fine china, and chandeliers. So when a former Ole Miss sorority girl tells you she has a “divine!” recipe to share, attention must be paid. (No really, it must — sorority girls can get pretty loud.)

By far the easiest and most popular of my recipes from Catherine is one for a Vidalia Onion Dip. I only make it when Vidalias are available because no other sweet onion seems to work with this recipe.

When Catherine wrote out this recipe, she was very specific that I had to use exactly what she listed – no substitutions. I tend to tinker with recipes so even though Catherine had laid down the law, I tried the recipe with variations a couple of times. I can tell you from experience that you must stick to this recipe.

So here’s the recipe:

Vidalia Onion Dip

2 Vidalia onions, chopped
 2 cups Hellmann’s mayonnaise
2 cups shredded sharp cheddar cheese

Mix ingredients and bake at 350 degrees for 45 minutes to 1 hour (until bubbly). Let it cool to room temperature and stir before serving.

One time, when Vidalias were not in season, I made the dip with another sweet onion and it was awful. Another time, I substituted another brand of mayonnaise for Hellmann’s and it didn’t work. So this is one of those recipes that you should just follow and never question. Catherine liked to serve the dip with melba rounds but I find that any sturdy, non-assertive bread or cracker works fine and I think it’s very tasty with Triscuits and with toasted French bread. It is also a fine dressing for a sandwich. I spread it on bread for a tomato sandwich recently.

Since I mentioned Ole Miss, I will share Catherine’s version of “Ole Miss Dip.” Ole Miss Dip is ubiquitous and I suspect there are as many variations as there are Ole Miss sorority girls so I will say that this is one version of Ole Miss Dip but it is by no means the definitive version. And it’s easy too.

Ole Miss Cream Cheese Dip

1 lb. hot or mild sausage, cut into small pieces (let me suggest Conecuh sausage from Alabama)
1 can Ro-tel tomatoes and diced green chilies
1 lb. softened cream cheese

Brown and drain the sausage. Add Ro-tel and cream cheese. Serve with tortilla chips.

Eat responsibly and enjoy. As I post this, it is 97 days until the 2015 college football season begins. Just saying …

The Peach Highway and Jimmie’s Peach Stand

One of my earliest essays on “Professional Southerner” was about the peaches of Chilton County, Alabama, and the family-run peach stand of the Harrison family. I made my first “peach run” of the season last week and, in honor of the 2015 peach season, I am going to revisit that 2014 essay.

gedwardjourney's avatarProfessional Southerner

100_1927  I get a little reflective as the Alabama peach season draws to a close. The state of Georgia, of course, has appropriated all of the peach titles and has done an admirable job of marketing its peaches as if they are something special. But a growing number of Southerners have discovered the rich and considerable delights of peaches grown in Chilton County, Alabama. On a May morning in the French Market in New Orleans a few years ago, I was pleased to hear a local shopper ask a vendor if any Chilton County peaches had arrived yet. He replied that he didn’t have any but that the lady a couple of stalls down had just gotten her first delivery of the season that very morning – “and they sure are good this year.” The shopper grinned like a child on Christmas and rushed to buy a basket.

I have…

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Food Memory: My Father’s Barbecue

IMG_1760  With Memorial Day weekend comes the traditional kick-off to cooking out and barbecue season. Although it’s always cook-out season in the South, it was a rougher than usual winter and it’s good to know that outdoor activities and barbecue are in full swing.

At some point in the ‘90s, when my job was frequently moving me around the country, I gave away my barbecue grill. Now, two decades later, I still haven’t replaced it.

That was not necessarily the plan. I gave the grill away so I wouldn’t have to move it anymore and I had every intention of replacing and upgrading it when I got settled in a new place. Now, even though I still think about purchasing a new grill (I’m attracted these days to the Big Green Egg) I am in no rush. My standard line is that I can find much better barbecue than I make so why would I want to take the time and trouble to grill my own?

I’m a pretty good cook, it’s true. But I know many people who grill and barbecue better than I. When it comes to barbecue, I prefer to be a connoisseur rather than a master. I once toyed with the idea of pursuing Kansas City BBQ Society judge certification but after exploring the rules I realized I prefer to consume barbecue as an amateur. Over the years, I have found some prize-winning barbecue to be lacking and the barbecue that breaks all of the rules is sometimes among the best.

In other words, I’m not that interested in measuring the smoke ring and analyzing if it “pulls” properly or “falls” off the bone; I’m not interested in quibbling over what’s authentic barbecue and what is just grilled meat. I’m interested in how it tastes and makes me feel.

As I write this, I am still in the afterglow of a quick stop at the original Dreamland location in Jerusalem Heights, Tuscaloosa. Driving away from that storied place, I realized that one of the things I love most about Dreamland is that slight glorious burn from the sauce that lingers in the front of the throat for a good hour or so after the meal is done.

I can give a long and ever-evolving litany of good barbecue joints around the country and I have been to quite a few. But some of the best and most fondly remembered barbecue of my life was cooked in the backyard by my father, Grover Journey.

Dad usually fired up the grill on Memorial Day, Independence Day, and Labor Day. He would start gathering his meat – pork ribs, sausage, and chicken – a couple of days in advance. He was picky about his meat choice. Mother would prepare traditional sides in the kitchen and I often made a huge green salad loaded with chopped vegetables.

My dad, who smoked cigarettes for about 50 years, has COPD – emphysema – now and as his breathing problems got worse he eventually stopped cooking at the barbecues. If the family is together for a warm weather holiday, my brother sometimes serves as pitmaster. Other times, we just buy meat and the sides at a local joint.

But when Dad was younger and healthy, he preferred to do the cooking himself. On the few occasions when I asked him to show me how he did it, he was never particularly forthcoming. I think he grilled his meat by instinct and it would have disturbed his mojo to divulge too much. I get that. I am much more comfortable handling my kitchen and my cooking alone; when I have “help,” things begin to go awry.

One thing I do know: Dad’s technique broke the rules. I read and watch what other pitmasters say and I realize that my father’s way didn’t conform with conventional ‘cue wisdom in many aspects.

Having said that, it always had a phenomenal taste so, in this case, rules be damned.

With the approach of Memorial Day, I recently decided to make another effort to pry loose any of my father’s grilling secrets. I chose to make it part of a recent dinner conversation.

“Dad, what did you use to marinate your meat before you’d barbecue?” I asked innocently.

“I didn’t marinate it,” he said.

“I thought I remembered some kind of pre-soak or marinade you used to do,” I responded.

“No.”

Mother chimed in. “I remember you used to soak it in vinegar.”

He denied it. My mother and I both seem to recall that he would pre-soak the meat in apple cider vinegar but memory is a tricky thing.

This exchange sort of stopped my query cold.

Later that evening, I ventured forth and asked him a little bit more about his technique. I asked him what sauce he used because I remember that he would use store-bought sauce as a base. But in my memory (there’s tricky memory again) he used the bottled sauce as a base only and added his own ingredients to it.

Once again I hit a wall. He told me that he always used Kraft “Original” Barbecue Sauce.

“And what did you add to it?” I asked. I am sure I remember seeing cups of melted butter on the shelf next to the grill, among other things

“Nothing,” he said. “Just Kraft Original.”

“Oh… Okay.” I usually know better than to push on at these moments.

And since I didn’t pursue it, Dad volunteered a good bit of additional information. He said he liked to cook over low heat for several hours. This is the way I remember it, too. He would start early in the day (but did not pull the all-nighters that some pitmasters swear by). The stealthy aroma would waft over the neighborhood until the wait was almost too much to handle and it would seem like the time to sit down and eat would never come.

Dad would sit patiently in a lawn chair, armed with tongs and a spray bottle of water to hit the flames when they flared up. I think the water in the bottle may have been spiked with apple juice but I dared not bring it up in that recent Q and A.

Dad mentioned that he liked to mop some sauce on the meat at the beginning before he put it on the grill. This is one of those areas where many of the “experts” would disagree but I remember it as part of his technique and am a witness that, in my dad’s case, it worked splendidly.

He would continue to mop sauce on throughout the cooking process as he turned the meat over. And he liked to turn the meat a lot (I know, I know – breaking the rules but it worked).

As the various meats were finished, he would pile them on platters, wrap them in aluminum foil, and send them in the house to rest. Huge platters of pork ribs, chicken, and sausages would line the kitchen counter along with Mother’s sides. They always cooked several times more food than was needed for the meal. I counted on it; I liked to be able to carry barbecue leftovers home.

Once, my sister-in-law’s grandparents were visiting from California and joined us for Labor Day barbecue. Spotting the spread, Buster, the grandfather, exclaimed at all of the food. “Do you always eat like this?” he spurted.

“Every single day,” my dad playfully shot back in a dead-pan lie.

All of that sauce slathered on gave the meat a flavorful black char  — the bark. The meat was always moist all the way through and never tasted burned or overdone. Even those who considered themselves wizards at the grill were always impressed by my father’s barbecue.

He broke the rules and did it up right.

I’m pretty sure I’ll never get the low-down on the specifics of his technique.

The Cahaba Lily

IMG_1753 I always forget how spectacular a Cahaba lily is until I come upon a stand of the flowers on a gentle bend in Alabama’s Cahaba River. The Cahaba lily is a rare lily that only grows in a very few spots in Alabama, Georgia, and South Carolina under very specific conditions. There must be swiftly flowing water over rocks. There must be abundant sunlight.

IMG_1752The Cahaba River National Wildlife Refuge near West Blocton, Alabama, is a prime viewing spot for the lilies during their brief growing season from May into June (roughly Mother’s Day to Father’s Day). Each of the fragrant flowers blooms in early evening and only stays for one day. The flowers go through their pollination cycle, dropping seeds into the stream where they become lodged in the rocks and shoals and await their vibrant display a year later.

There are a couple of significant stands of lilies visible from the narrow dirt and gravel road through the wildlife refuge. The water rushes over rocks and through tall grasses and hundreds of stunning white lilies show off their elegant beauty. It never fails to take my breath away.

IMG_1734The Cahaba River is one of the most significant of Alabama’s abundant natural treasures. At almost 200 miles long, it is the longest free-flowing river in the state and provides water for a quarter of Alabama’s population. Its path takes it from St. Clair County, through the suburbs of Birmingham, and into rural Alabama and the Black Belt where it empties into the Alabama River at the ghost town of Cahaba near Selma.

IMG_1742According to the U.S. Fish and Wildlife Service, the Cahaba River is home to 131 fish species – more per mile than any other river in North America. Eighteen of these fish species are found only in the Cahaba River and Mobile River Basin. The refuge is a habitat for at least a dozen threatened or endangered species including migratory birds and bats as well as assorted fish, mussels, snails, insects, and plants.

IMG_1754In addition to being a star in its own right, the Cahaba lily is significant to the area because its beauty and popularity help draw attention to the other aspects of the Cahaba River, its watershed, its significance and dependents. The ever-growing popularity and fan base for the lily help to draw attention to the support groups like the Cahaba River Society (www.cahabariversociety.org) which strive tirelessly to protect this rare and beautiful place.

Beyond all of that, the Cahaba lily in bloom simply belongs on every nature lover’s list of things to see. IMG_1746

Exploring Little River Canyon

IMG_1690 The trip to Little River Canyon from my house involves a drive through profoundly rural areas of northeast Alabama and a few small towns and communities. It feels at times like time travel but it takes less than a couple of hours.

The road passes the Paint Rock Valley before the backwaters of the Tennessee River and Guntersville Lake appear and then the town of Scottsboro. There, the Tennessee River is crossed and the road immediately climbs a steep grade to the top of Sand Mountain, a sprawling sandstone plateau near the southern end of the Appalachians. The myths, mysteries, and culture of Sand Mountain are legend in the rest of Alabama and I’ll admit that even though I have been to various parts of Sand Mountain several times and have been aware of it most of my life it remains a mystery to be unraveled for me.

After driving across Sand Mountain, the road drops again to a valley containing I-59 and the town of Fort Payne. A quick ramble through Fort Payne leads to another steep climb to the top of Lookout Mountain.

Little River in northeast Alabama mostly flows along the top of Lookout Mountain. This feature of the untamed river flowing along the mountain top is one of its most distinguishing characteristics. The canyon starts to form past DeSoto Falls at a wide plummeting Little River Falls and gets deeper, wider, and more steep as it moves down through the mountain.

On a recent mid-May trip, the water level was fairly low but the sound of the rushing rapids could be heard from the west rim even when the lush green canopy made the river invisible far below. The canopy also helped to block the view of houses encroaching on the east rim. IMG_1701

Since I was scoping out hiking trails for future trips, I mostly stayed on the Canyon Rim Drive which is part of the Little River Canyon National Preserve and meanders for eleven miles along the west rim. It passes a number of trailheads and provides a good opportunity to inspect the challenging terrain.

Regular overlooks provide scenic views into and across the canyon. Trails afford steep access to the river and the canyon floor. Grace’s High Falls is visible across the canyon from an outlook on the drive. A dramatic 133-foot plunge during the rainy season, Grace’s High Falls was just a trickle during my recent visit. As the weather gets less humid it will dry up altogether.

Canyon Rim Drive affords quick and easy access to the canyon’s majesty and mystique. A little farther upriver are an informative visitors’ center and DeSoto State Park with additional backcountry trails and accommodations. The National Park Service operates a boardwalk and trails on the east side of Little River Falls which provide access to the river and a close-up view of the falls.

Little River Canyon is wild and feels extremely remote but it is actually centrally located in the region and only a couple of hours or less from Birmingham, Chattanooga, and Atlanta. A quest for this year is to continue to find great outdoor opportunities close to home. The bounty of Little River Canyon and the surrounding area definitely fits with that mission. IMG_1723

Modern Lit: “Mad Men”

“The sea that morning was iridescent and dark. My wife and my sister were swimming … and I saw their uncovered heads, black and gold in the dark water. I saw them come out and I saw that they were naked, unshy, beautiful, and full of grace, and I watched the naked women walk out of the sea.”

Those final lines from John Cheever’s short story “Goodbye, My Brother” are among my favorite closing lines in literature. Cheever, the mid-20th century short story writer and novelist, explores the aspirations, insecurities, and dark underbelly of American suburbia with great depth and insight. He and other writers like John O’Hara,  John Updike, and Richard Yates examine the complexity of “normal” middle class lives in a rapidly evolving society of social pressure and change. They chronicle the American century in a way that will continue to inform future generations of the way we were at one time in history.

The way I feel when I read one of Cheever’s perfect endings is the way I feel at the end of many episodes of Matthew Weiner’s milestone television drama “Mad Men.” Cheever and his masterful way of ending a narrative have been on my mind as I await the airing of the 92nd and final episode of “Mad Men” this weekend. “Mad Men” premiered in 2007 and over seven seasons it has explored the eventful and tumultuous 1960s by focusing on an advertising executive named Don Draper. Don Draper lives in media history annals as one of the great existential antiheroes.

The first season of “Mad Men” is set in 1960 in the months leading up to John Kennedy’s election. It evokes an environment dominated by powerful, reckless, and ambitious New York ad men. Weiner’s obsession with period authenticity is one of the show’s many hallmarks and the period styles, music, and mores are recreated in pristine detail. The current and final season begins in 1969 and moves into 1970 and a new decade.

It has been a brilliant ride and, as a Baby Boomer who was growing up in the 1960s, it gives a sharp perspective from an adult point of view of events that I remember from my developing years. Revisiting the decade in such sharp focus in retrospect just reinforces how essential, frightening, and truly exciting that decade was for those of us who lived it no matter how old we were in the moment.

The narrative does not carry an overt social agenda but it pulls no punches in representing the decade as it was. The environment is dominated by cigarette smoke and liquid lunches. Cocktails and highballs are consumed at the workplace morning, noon, and night. Women are only seen as housewives and secretaries as the series begins and people of color are almost nonexistent in this corporate world. Vietnam is mentioned in passing and then it escalates. These things continue to change as the decade moves forward and the show masterfully explores how the workplace is ultimately unable to avoid and ignore the inevitable seismic changes occurring in the society around it. The media campaigns reflect the changes, uncertainty, and tumult. Like the best modern literature, it does not reveal too much but leaves the audience to find meaning and symbols and to draw its own conclusions.

The series is a gift to the actors involved, giving a skilled ensemble the opportunity to portray rich and vivid characters as they age and grow, evolve, and occasionally disappear or die. Rarely is there a false note and even the more fantastic developments seem inevitable in the world Weiner creates.

Don and Betty Draper’s daughter Sally is almost 6 when the series begins and audiences have the opportunity to watch her grow to a sometimes surly teenager and essential character as the story draws to a close. I have been intrigued by Sally’s story because she is the character who is closest in age to my age at the time of “Mad Men.”

“Mad Men” is always focused on Don Draper, his remarkable and mystery-filled creation story, and his constant search for contentment which never comes. But the Draper story has been constantly juxtaposed with the ascendance of Peggy Olson, the young secretary who becomes an advertising executive, seems to have a preternatural comprehension of Draper, and becomes increasingly hard and ruthless as she maneuvers and schemes her way to the top in a still male-dominated field.

Joan Holloway. Roger and Mona Sterling. Bert Cooper. Sal Romano. Stan Rizzo. And on and on … The memorable characters of “Mad Men” are characters that will stay with me as vividly as my favorite characters of any genre. These are all incredibly flawed and in some cases despicable human beings but I find myself pulling for each to find the path to personal peace and contentment. They feel like friends – annoying at times, but friends nevertheless.

As a lead-up to the final “Mad Men” episode on May 17, AMC has been running a 4-day marathon of every episode ever aired over the show’s seven seasons. I will admit that it has been on my televisions almost nonstop since Wednesday and I have fought the urge to just sit down and wallow in it. Instead, I have been checking in periodically to see where they are in the show’s arc and I will occasionally stop to revisit a favorite scene.

I will be interested to see how Weiner ends it Sunday night. I’m sure the pressure to end it to the devoted and demanding fans’ satisfaction is immense. I’ve heard a number of theories and I have a couple of my own but I feel like it will probably be a surprise and, hopefully, perfect. No pressure, Mr. Weiner.

No matter how “Mad Men’ ends on Sunday, I suddenly have the urge to go back and start rereading Cheever on Monday.

IMG_1724

The Authentic Vision: Brother Joseph’s Ave Maria Grotto

IMG_1617  Authenticity in folk art (“outsider” art, self-taught artists – whatever the current designation of choice may be) is a topic that has long intrigued me. There are any number of phonies – some of them the off-spring of the real thing – who try to cash in on the folk art market. The idea of the authentic artist who creates art from an impulse that comes from within is what I seek in the work of “outsiders.”

IMG_1614Brother Joseph Zoetl (1878-1961), a Bavarian-born monk who spent the bulk of his life at St. Bernard Abbey, a Benedictine monastery in Cullman, Alabama, is an example of that inspired authenticity, I think. Brother Joseph had no training as an artist but created historical and fantasy structures that are a lasting tribute to inspiration and faith. His Ave Maria Grotto (www.avemariagrotto.com) is nestled on the Abbey grounds along with the still active monastery and the St. Bernard Preparatory School which replaced St. Bernard College when it closed in 1979.

IMG_1631Brother Joseph’s impressive installation in the abandoned quarry of the Abbey includes at least 125 structures created out of stone, cement, and discarded items. The centerpiece of the four-acre park is the large Ave Maria Grotto but its focal points are structures – real and fantasy, sectarian and non-sectarian – taken from world culture. The structures span the globe but a large number of them are based on buildings and sites in Rome and Jerusalem. When I was growing up everybody referred to Ave Maria Grotto as “Little Jerusalem.”

IMG_1637I first saw the place as a young boy in the days of “roadside attractions” before the interstate system was ubiquitous. I remembered it fondly as a kitschy place with edifices constructed of concrete and broken glass, broken marble and colorful discarded gaming marbles, costume jewelry and cold cream jars.  IMG_1602 One fanciful monument is topped by green Irish fishing floats. I remembered a miniature Noah’s Ark installation with plastic animals and a fantasy piece called “Hansel and Gretel Visit the Temple of the Fairies” complete with a fierce dragon bound by a chain underneath. A life-size statue of Pope Pius X is just down the hill from a miniature Egyptian-style pyramid. A miniature section of the Great Wall of China hovers close to touching memorials to “St. Bernard Boys” who died in various 20th Century wars in which the United States was involved. There are a 48-star American flag made with marbles, glass, and cement and a replica of the World Peace Church, the Catholic Cathedral at Hiroshima. IMG_1647

All of these things are still there.

Brother Joseph’s first structures were crafted around 1912 and his last, an impressive replica of the Lourdes Basilica, was built in 1958. I remembered the place as a quirky roadside attraction but on a recent visit I was struck by the level of craft and artistry, spirituality, and personal mission represented in the little monk’s life’s work. He was not a world traveler and had only personally viewed a handful of the structures he created – those from his Bavarian home town of Landshut and those on the grounds of the Abbey in Cullman. The rest were composed from photographs, the Bible and other written texts, and his imagination. Brother Joseph started constructing the buildings in his spare time when his job was to shovel coal at the Abbey’s power station. IMG_1627

A few structures have been added to the installation since Brother Joseph died including a life-size bronze statue of Brother Joseph facing his monumental Grotto. After one has toured the installation, a shaded path with the Stations of the Cross leads to the Abbey Cemetery where the monks, including Brother Joseph, are laid to rest. A small stone chapel stands watch over the cemetery. It is a quiet and reflective place, conducive to meditation and contemplation. IMG_1685

“Complex Vision” and a Medical Visionary

IMG_1541  After a year of restoration under the artist’s supervision in Florida, Yaakov Agam’s “Complex Vision” is back at home on the University Boulevard façade of the Callahan Eye Hospital in Birmingham. The Israeli artist’s 30’x30’ kinetic mural, commissioned by Dr. Alston Callahan (1911-2005), the ophthalmology pioneer and founder of the Eye Foundation Hospital (www.uabmedicine.org/locations/uab-callahan-eye-hospital) that now bears his name, has been a striking landmark in Birmingham’s sprawling medical center since the 1970s. IMG_1545

My mother has a strong bond with the Eye Foundation and a visceral affection for Agam’s mural. After being misdiagnosed for a problem with her left eye by another doctor in another town, her malignant melanoma was diagnosed by Dr. Callahan at the Eye Foundation in 1986. Immediate surgery led to loss of the eye but the cancer was removed and there has been no recurrence. She is now cancer-free for over twenty-nine years.

The Callahan Eye Hospital and its patients seem to become like family. My mother’s ongoing relationship with the hospital and members of its staff is powerful. She is now the patient of “Dr. Mike” Callahan, Alston Callahan’s son, and maintains friendships with employees whose time with the hospital dates back to her 1986 life-saving and life-changing surgery. IMG_1559

Dr. Callahan seems to have envisioned the Agam sculpture as a gift for his patients. He imagined the patient who arrived at the Eye Foundation with impaired vision being able to leave to appreciate the full color and beauty of the mural. Symbolically, from one perspective the mural is black and white; as one moves past it, it reveals itself in its full array of vivid panels of primary colors and patterns.

IMG_1550

I know that Mother wants to view it each time she visits the hospital and she likes to drive by it whenever she’s downtown. She missed it over the past year and is delighted at its return. The mural was spectacular as it was but the renovation has clarified, brightened, and reinforced its vibrant splendor. IMG_1553

Dr. Alston Callahan’s lasting influence extends far beyond the Eye Foundation Hospital and the many patients he served. He and his wife, Eivor Holst Callahan, left an impressive legacy as philanthropists and art collectors. Much of their extensive Asian art collection was bequeathed to the Birmingham Museum of Art. The museum’s Indian and Southeast Asian gallery,  a meditative room with a window looking across to Linn Park and the skyline beyond, is named the Eivor and Alston Callahan Gallery in their honor. The museum also has an annual Eivor and Alston Callahan Lecture series focusing on Asian art.

In addition to all of that, Dr. Callahan was a seasoned world traveler who went on expeditions to both the North and South Poles. Those adventures, in addition to the Eye Foundation, are commemorated on his gravestone.

The Callahan’s home atop Red Mountain overlooked Birmingham with a direct view across the road to Vulcan, Birmingham’s iconic iron man statue. I once lived in an apartment around the curve from Vulcan and that house and was a fan of the architecture before I ever knew who lived there. The Moshe Safdie-designed house was a modernist vision of dramatic mystery and unexpected angles. It was the kind of house that made one wonder what treasures were to be found inside. It went on the market after Dr. Callahan’s death (his wife preceded him in death in 2002). Unfortunately, the new owners razed the Callahan house and built another more traditional big house in its place. It’s a perfectly fine house, I guess. But now it’s just another big house on the mountain. The Callahan house was one that was destined to live in the memory. IMG_1562

The loss of the Callahan house, however, does not diminish the impressive legacy of Dr. Callahan. That legacy lives on in Birmingham and beyond in the Eye Foundation; the Callahan Eye Hospital; the International Retinal Research Foundation; the art his family collected and shared; the BMA’s Callahan Gallery and Asian lecture series; and the thousands of doctors and patients who are touched directly or indirectly by his influence. Given his impact on my family, Mother’s Day seems to be a perfect time to honor him.

The magnificently restored Agam mural is perhaps the most visible and accessible piece of that legacy. And now it’s back where it belongs. IMG_1557

Highlands Bar and Grill

IMG_1509  My first extended post-Katrina visit to New Orleans in 2007 coincided with the New Orleans Wine and Food Experience. Held in May, that event showcases local restaurants and is a draw for food and wine aficionados from many places. I met a couple who were restaurateurs from Napa and the husband’s work required him to travel all over the world. When I mentioned that I was from Birmingham, he said, “You know, Birmingham is a great food city. Not many people know that.”

I already knew but it was nice to hear it from somebody from the west coast.

Growing up in Birmingham, there was good dining to be had and there was always an abundance of Greek-owned eateries from hot dog stands to white tablecloth establishments. The place has long been a mecca for classic southern “meat and three” places and the quality and variety of barbecue and barbecue styles in the area is an embarrassment of riches.

But when Frank Stitt opened Highlands Bar and Grill (www.highlandsbarandgrill.com) in Five Points South in 1982, the bar for Birmingham dining was significantly raised. A few years later Stitt opened Bottega and Bottega Café (www.bottegarestaurant.com) a few blocks away on Highland Avenue and then Chez Fonfon (www.fonfonbham.com), a more casual bistro, next door to Highlands.

Add to that a preponderance of good eats from other chefs, many of whom worked for Stitt before striking out on their own. There are always a new attitude and a new swagger creating a great and unpretentious urban destination for dining at every level and taste. In the Five Points South area near Highlands, I am partial to Ocean (www.oceanbirmingham.com) and Hot and Hot Fish Club (www.hotandhotfishclub.com) but every time I go to Birmingham lately it seems that a “must visit” new dining option has opened somewhere in the city. I am falling way behind on keeping up and checking them out.

Highlands, however, is still the flagship. It is pricey and elegant and provides an unmistakable sense of occasion when one enters the door. However, it is never snooty nor pretentious, it features the best locally grown and fresh ingredients, and a meal at Highlands is always an opportunity to relax and breathe. Frank Stitt and his wife, Pardis, create gracious and memorable dining experiences for their guests.

The wait staff is knowledgeable, efficient, and playful. I like to eat seafood from the Gulf when I am at Highlands; for my taste, Highlands prepares fish better than anybody. But everything on the menu pleases. We celebrated my mother’s milestone birthday at Highlands last summer and she declared her steak that night to be “the best steak I’ve ever eaten.” The menu is seasonal and changes often but Highlands baked grits, a signature dish, is always on the menu.

Two of my most often thumbed through cookbooks are by Frank Stitt. The first, an instant classic, is Frank Stitt’s Southern Table. It was followed by Frank Stitt’s Bottega Favorita. In each, the reader and cook find a delicious assortment of unique takes on food preparation and presentation culled from Stitt’s extensive experience. Stitt is a native of Cullman, Alabama, who attended college at Tufts and Berkeley, apprenticed and cooked in France and the Caribbean, and ultimately opened his restaurants less than an hour from where he was born.

Highlands Bar and Grill and Frank Stitt are on my mind this week because the 25th presentation of the James Beard Awards (JBAs) for restaurants and chefs will be held in Chicago on Monday, May 4, 2015. Highlands Bar and Grill is one of the five finalists for Outstanding Restaurant for the seventh year in a row. The other four finalists this year are in New York.

I have been paying attention to the JBAs (www.jamesbeard.org) for many years and have paid particularly close attention since Stitt and Highlands have been regular contenders. Stitt was inducted into the JBA Who’s Who of Food and Beverage in 2011 and was named Best Chef – Southeast in 2001. I find that very often the winner for Outstanding Restaurant is a top five finalist several times before it wins so every year I tune in to see if this year is Highlands’ “turn.” I feel good about lucky 7.

A confession: I will be watching the James Beard Awards on Monday night. They are streamed every year on livestream.com and I am just enough of a food nerd to watch a couple of hours of restaurant awards. I want to be a witness when Highlands gets its much deserved honor. It will be an honor for the whole city. On the down side, it may make it even harder to get a reservation at Highlands Bar and Grill.

Mother and Truman at Highlands in June 2014

(The photograph is of my mother, Jean Journey, and my nephew, Truman, outside Highlands in June 2014.)

 

The Paint Rock Valley and “Green, Green Grass of Home”

IMG_1474  It was a soggy Earth Day 2015 event at Monte Sano State Park in Huntsville on Sunday, April 19. It was raining when I arrived shortly after the noon opening and the early attendance was sparse with some exhibitors either absent or late for set-up.

IMG_1473Even so, my favorite local goat cheese purveyor, Paul Spell of Humble Heart Farms in Elkmont (www.humbleheartfarms.com), was open for business and busy giving out samples. I bought my usual, Humble Heart’s Tuscan blend, and a package of the French blend. At another booth I picked up some herbs – chives, mint, and rosemary – to continue to pot up this year’s herb garden in the back yard. I already have some mint and lots of basil growing back there.

Despite the rain, I hit a few of the tables and booths that were set up and had a chat with Steve Northcutt of the Nature Conservancy. One of the reasons I made a special effort to get to the Earth Day event this year was because my friend Judy Prince from Birmingham planned to be there to recruit support for her initiatives and clean-up projects serving her native Paint Rock Valley in northeast Alabama along the Paint Rock River’s winding path to the Tennessee River. Because of health and the weather, Judy was not able to attend and in her absence Steve was handling a drawing for a Paint Rock River canoe trip. I am planning two canoe trips for this year — the Paint Rock River and the Cahaba River.

IMG_1483After leaving the Earth Day event, I wandered through the park, winding up at a scenic overlook that also has a small museum and memorial dedicated to the Civilian Conservation Corps of Democrat Franklin D. Roosevelt’s New Deal. At a time when Alabama’s Republican elected officials seem to be on the verge of closing down a number of state parks, it was a reminder of how much this part of Alabama owes to FDR and his Depression-era recovery policies. Every town in the Tennessee Valley should have a monument to Roosevelt.

As I left Monte Sano, there was a break in the rain and more people seemed to be arriving at the Earth Day festivities. Since the Paint Rock Valley was on my mind I decided to make the short drive to Jackson County and drive through the upper Paint Rock Valley for a while.

The Paint Rock River meanders for about sixty river miles from its origins in northernmost Alabama to where it enters the Tennessee next to a spectacular bluff known as Paint Rock. I saw the Paint Rock on a boating day trip along the Tennessee from Guntersville Dam to Decatur a couple of years ago. It is only accessible from the river and is worth checking out if you get the opportunity.

IMG_1506My Sunday drive, however, took me into the upper reaches where the headwaters come together and form the small but ecologically significant Paint Rock River and its surrounding valley. Due to recent rains and storms, the river was flowing fast with a lot of mud and debris and was beginning to overflow its banks. There are a number of places along the two-lane highway through the valley where the road goes alongside the river. The area is sparsely populated and there are abundant farmland and animals grazing in pastures along the river’s course. IMG_1486

Occasionally you pass through a more settled area. The towns of Princeton and Trenton huddle close to the road. My afternoon drive took me as far into the valley as the town of Estillfork. One of the things that struck me along the drive is the way most of the houses, stores, and churches are right on the road, even where there was space to build farther back.

My friend Judy Prince is a psychotherapist based in Birmingham but her roots are in the upper Paint Rock Valley and in Estillfork, where her family ran a country store for decades. Judy has been active with various projects to enrichen the valley and preserve and pay homage to its beauty, community life, history, and heritage. It is through visits to the area in conjunction with Judy’s Paint Rock Valley History Project and Connect UP (CUP) initiatives that I have been introduced to the upper Paint Rock Valley. There are multiple goals, part of which is building connections and community with the area’s Appalachian and Native American cultures. “Building community” has become a theme for me lately, it seems.

Judy has been active in using a “rolling store” to dispense heirloom Cherokee Purple tomato seedlings and seeds. The rolling store idea is in honor of her father, Pete Prince, who once operated a rolling store in the valley in addition to his stationary store in Estillfork. IMG_1491

Judy has ongoing plans for a History Store and Working Farm as a wellness and healing center to serve the community and people in need from the community and beyond including those with physical and mental challenges, veterans, the elderly, and youth. One of her goals is to utilize the projects to connect residents of the area with those from outside the community and to increase interaction and exchange from diverse communities. Judy speaks passionately about all of these projects and her enthusiasm is contagious. She wants to bring more visitors into the valley while also enabling those in the community to venture forth and seek broader exposure to other options of doing and living.

IMG_1500Highway 65, the curving road that follows the Paint Rock River through the valley, is named “The Curly Putman Highway” in honor of songwriter Claude “Curly” Putman, the Paint Rock Valley native (Princeton) who wrote “Green, Green Grass of Home.” That song, written in the 1960s, was an often covered tune that was a country hit for Porter Wagoner and later an international hit for pop star Tom Jones.

As I drove through the Paint Rock Valley with Curly Putman’s plaintive song in my head, I was reminded of a road trip I took many years ago through another mostly rural area of central Alabama. I was with a friend who was visiting the area from Los Angeles. At one point, I veered off the main road to show her a quaint small town that was just off the highway. She was quiet and gazed out the window as we drove down the street that ran through the middle of the town, past neat little houses and a docile town square surrounded by a few small local businesses and a few shuttered storefronts. After a moment, she turned to me and said, “Why would anyone choose to live here?”

I was caught off-guard and didn’t have a ready answer at that moment but I have often thought about her question over the years. Why does anyone live anywhere? And how many of us have the luxury of choosing where to live? I have lived all over the country and I don’t think I ever really got to choose. You live where you were born and then you live where life, family, education, career, circumstances, and serendipity take you.

There are people who live in the upper Paint Rock Valley. Some stay there their entire lives and some leave as soon as they are able. Some return at some point and some never come back. Others come and stay or come and go. For some it is “home” and for others it’s just a place along the road. The country is full of communities like those along the Paint Rock River. They deserve our discovery, our attention, and our respect. They can learn from us; more importantly, we can learn from them.

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(For more information about Joys of Simplicity Wellness Adventures and the Connect UP Program, and for contact information for Judy Prince, check her website at www.tinyurl.com/lutybme).