Tag Archives: Alabama authors

Lee Bains

Lee Bains | photo by Rick Journey

I love words. The first thing I noticed when I discovered the music of Lee Bains and the Glory Fires was Bains’s masterful use of language in lyrics. I was first drawn to the music by a title, actually: Their 2012 debut album is called There Is a Bomb in Gilead. Growing up in Alabama, attending a Baptist church, reading the Bible, that title’s play on the much-recorded spiritual “There Is a Balm in Gilead,” from a passage in the book of Jeremiah, struck a chord and I had to check it out. Now, in 2026, those lyrics from fourteen years ago seem especially prescient for the current Netanyahu/Trump-driven mess in the Middle East. It begins:

Children of Abraham, don’t say you ain’t been warned,
For there will come a burning day.
Strait are the checkpoints to your enemy’s house,
And narrow is the way.

Bains’s hard-driving and unapologetic lyrics continue to be front and center in music that Rolling Stone describes as “Southern Gospel Punk.” After … Bomb in Gilead, other infectious albums and those addicting lyrics followed: Dereconstructed (2014); Youth Detention (Nail My Feet Down to the Southside of Town) (2017); Live at the Nick (2018); and Old-Time Folks (2022).

Lee Bains is a native of Birmingham, now living in Atlanta, and when he’s not touring with his music, he’s working as a handyman. His working class Southern roots inform his writing and his authentic, unfettered, and progressive resistance gives voice to the things that many Southerners are thinking but some may be hesitant to say. In “We Dare Defend Our Rights,” his response to Alabama’s state motto (which was adapted in 1939 by Marie Bankhead Owen, a “Lost Cause” advocate, in a contentious mood), he shout/sings “Show me what you can build up / Show me what you can burn down.” In songs like “God’s A-Working, Man” and “(In Remembrance of the) 40-Hour Week,” he extols the virtues and laments the hardships of those who actually work hard for the money. I’ll admit that I basically stopped keeping up with new bands around the time Talking Heads and Television split up, but Bains’s music hits me in a visceral way; it’s energizing.

In 2021, Bains accomplished a bit of a writing coup when several of his poems – not to be confused with his lyrics – were published as part of a photo essay called “Work Lunch” in The New Yorker. Now, those poems will be published as part of his upcoming book of poetry titled Work Lunch (Hub Press; publication date: 10/13/2026). I suggest you preorder it now.

In the meantime, Bains has a new live solo album, Free South 2025, that was just released. His international tour for the new album kicked off with a performance at Seasick Records in Birmingham’s Lakeview District on August 7. By the time this essay is posted, he’ll be performing in Norway and traveling on to Sweden and the United Kingdom before returning to the U.S., launching his book, and going back on tour with his solo music. See www.thegloryfires.com for the tour schedule.

Lee Bains at Seasick Records | photo by Rick Journey

The Seasick event was an intimate affair, a homecoming of sorts, and Bains seemed at ease with people he knew as they gathered among the stacks of vinyl. Like Springsteen, he often introduces his songs with personal reflections and occasional battle cries – and he’s not shy about sharing his points of view. His guitar work is outstanding and his songs are delivered with grit, energy, and passion. The set kicked off with a snarling rendition of “Old-Time Folks” and was relentless from then on. Anyone who is a student of the South and the issues that afflict the South and the nation as a whole will find something to recognize and connect to in Bains’s music. Chuck Reece, writing for The Bitter Southerner after the 2014 release of Dereconstructed, opines “I think this kid Lee has made the record I’ve been waiting for somebody to make since before he was even born.” He goes on to say it’s “the most important record to address the Southern thing in 13 years, since Drive-By Truckers’ 2001 ‘Southern Rock Opera’. And it may be the most important record about the South ever released.” The first time I read that, I thought Woah boy, get a grip, but then I thought Can you name another contender? Nope. I can’t, actually.

I recently introduced myself to Lee Bains in the hopes of writing a magazine article about him and his poetry. He was agreeable and we’re going to try to work in some conversations while he’s on tour, promoting the book, and generally working nonstop. In the course of the introduction, I mentioned that both of my grandfathers had been steelworkers in Birmingham. He responded, “Being the grandson of two steelworkers is about as Birmingham a story as it gets!”

Lee Bains | photo by Rick Journey

Poet / Musician / Handyman Lee Bains’s trajectory from East Lake to wherever he’s going next seems to be a pretty singular Birmingham story, too.

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Book Review: “The Old Breed” by W. Henry Sledge

In W. Henry Sledge’s new book, The Old Breed … The Complete Story Revealed, he provides a sequel, of sorts, to With the Old Breed, the influential World War II classic by his father, Eugene Sledge. “Henry Sledge, who was raised in a house full of mementos of the war, was a son who asked questions, listened, and remembered. His personal narrative throughout the book gives perspective on how the war impacted his father for the rest of his life.” My review is available at Alabama Writers’ Forum.

The Old Breed…The Complete Story Revealed

The Land of Strict Embargoes

If Alabama had to choose a secular saint, I suspect it would be Harper Lee (1926-2016), the author of To Kill a Mockingbird. She only published the one novel, and a few other things along the way. So, it came as a bit of a surprise when HarperCollins announced the upcoming publication of a selection of Lee’s previously published and “newly discovered” writing under the title, The Land of Sweet Forever. And that’s about all we know.

I explore the upcoming book, and posthumous publications in general, in an essay for First Draft, the quarterly publication of Alabama Writers’ Forum. Read it here:

Land of Strict Embargoes

Book Review: Robert Bailey’s political thriller, The Boomerang

Robert Bailey’s new thriller, The Boomerang, raises issues that the reader may think about long after the book is over. But it is also a fun read with an imaginative plot and surprises on every page. The stakes are high, the plot is sobering, and the thrills are plenty. 

I recently reviewed The Boomerang for Alabama Writers’ Forum.

The Boomerang

Review: Deep Water, Dark Horizons by Suzanne Hudson

Occasionally, while reading Suzanne Hudson’s collection Deep Water, Dark Horizons, I felt like I might be eavesdropping on some kinfolks — y’know, those kinfolks you don’t necessarily like to claim. The collection commemorates Hudson’s 2025 Truman Capote Prize and you can read my review for Alabama Writers’ Forum here:

Deep Water, Dark Horizons

Tolstoy Park

 I have long suspected that readers often find the right book at just the right time. I was aware of The Poet of Tolstoy Park (Ballantine Books, 2005) by Sonny Brewer from the time of its publication and just never got around to reading it. I finally read it recently and found it the perfect read at this stage of life. I might not have appreciated it quite as much back in 2005.

The Poet of Tolstoy Park is a contemplative and philosophical novel. In the mid-1920s, a man named Henry Stuart, living in Idaho, learns that he has a short time to live. His doctor tells him that he suffers from an advanced state of non-contagious tuberculosis, suggesting that his final days might be easier if he moves to a more hospitable climate. After considering a move to California, Stuart hears about the utopian single-tax colony of Fairhope, Alabama, divests himself of most of his possessions – including his shoes, and moves sight unseen to ten acres in Montrose, a small community just up the road from Fairhope. His two sons and best friend, left behind in Idaho, think he’s crazy.

Stuart, dying, in his mid-sixties, and alone, embarks on a stoic existence and finds the Fairhope community to be kind and willing to assist. His ten acres have no house, only a barn in disrepair, and Stuart and his new-found Fairhope friend, Peter Stedman, create a suitable room in a corner of the barn. Stuart, inspired by the abodes of Native Americans and the nests of birds, plans to build a small round hut – a masonry dome, really – as his final home. The novel painstakingly describes Stuart’s method of building his house – he insists on doing it alone – as he pours concrete blocks and scavenges bricks from a ruin on the bay.

Brewer’s narrative excels in the quiet moments and the details of a life in nature. His descriptions of Henry Stuart’s methodical thought and process in the construction of his hurricane-proof abode make for reflection and calm, as do the minute details of Stuart’s life. The narrative is deliberate, but I found myself eager to keep reading – to see what would come next. The very decent people that Stuart meets and befriends along the way are finely and distinctly drawn; I hope they are based on real people, each one.

A former seminarian who eschews organized churchgoing, Stuart follows the philosophy of Henry George, who was an influence on many in the early twentieth century, including the founders of Fairhope and the great Russian author Leo Tolstoy. Stuart is an acolyte of the writings of Tolstoy, especially his nonfiction essays, and names his Montrose home “Tolstoy Park” in his honor.

Henry Stuart’s aim is to keep his terminal illness a secret from the Fairhope community, but secrets are hard to keep in a small tight-knit town – especially if the subject is a disheveled, unshaven, barefoot newcomer in his sixties. When Stuart admits to his friend Peter that “I am supposed to die,” Peter’s response is “Well, hell, I reckon so! Me, too.” Henry Stuart has chosen his place and way of dying and living and local gossip makes him withdraw into increased solitude to complete his tasks with minimal intrusion.

Suffice it to say, Mr. Stuart does not die on the doctor’s schedule.

As we used to say in third grade book reports, “If you want to know more, you’ll have to read the book.” I hope you will; it’s a very good one, with valuable lessons for living.

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Henry Stuart was a real person and the basics of Sonny Brewer’s fictional narrative are essentially true. During his time in Fairhope, the retired professor became a fixture in the area, occasionally giving talks to the community – barefoot and sharing his far-reaching interests and philosophies. He welcomed visitors to his “hermit house” over the years; his guest book had well over a thousand signatures. The great civil liberties attorney Clarence Darrow, a regular visitor to Fairhope, reportedly signed the book half a dozen times.

Present-day visitors are still able to sign a guest book in the house that Henry built. The house is still there. It is listed on the National Register of Historic Places now, and is surrounded by a parking lot in a nondescript office complex off a busy highway. The rest of Stuart’s ten acres have been developed, but the hut at Tolstoy Park is always open to visitors. Author Sonny Brewer leased the space from the current owner of the property and did repairs. He stayed there while he was writing part of the novel.

It is a strangely efficient round house, fourteen feet in diameter, with an ancient tree standing beside it still, and with no corners to gather clutter. The house is built slightly into the ground and there are a door and six windows. Two skylights are at the top of the dome. The furnishings are simple, with places for writing, reading, and contemplation. There’s a wood stove. To save space, Henry Stuart hung his bed off the ground and used a ladder to crawl up and in. Today, there are mementoes of the original owner scattered about.

It is still a quiet, calm, and spiritual place, despite the encroachment of the growing community around it. When you visit, stand in the middle of the room and hum, or sing, or just say Hallelujah, to take advantage of the sublime acoustics. Take a moment to honor Henry Stuart, and to thank Sonny Brewer for bringing him and his story to a larger audience.

“Celebrate Books”

It was my honor to attend and report on the 2023 Alabama Writers Hall of Fame induction ceremony. The literary arts in Alabama are thriving, thanks in part to these fine writers. Read my article from the Alabama Writers’ Forum website.

The Gathering: Alabama Writers Hall of Fame Induction Ceremony, March 10, 2023

Alabama Writers’ Forum Reviews

I have two new reviews at Alabama Writers’ Forum. James Seay Brown Jr.’s Distracted by Alabama is a refreshing frolic through some of the state’s lesser traveled attractions. Christopher Shaffer revisits his youthful tour of duty as a teacher in post-Cold War Slovakia in the very entertaining Moon over Sasova.

Catch them both here:

https://www.writersforum.org/news_and_reviews/