Tag Archives: Billy Reid fashion designer

Notes from a Pensioner

On June 1, I will officially become a pensioner. Others might prefer to be called “retiree” or some other designation, but “pensioner” has an almost Dickensian flair and I think that will become my designation of choice.

My target date for retirement was always May 15, 2022. The incentive to bring it forward was the obvious – the pandemic and remote teaching. I pulled the trigger when there began to be intimations that we might continue remote teaching through the end of the year. On principle alone, I refuse to try to educate students and future artists in a manner that I feel is ineffective.

Mr. McKee, one of my neighbors, told me at the mailbox today that he was striving to be the person “who lived the longest on retirement.” “I plan to stretch it,” he said with a grin, “as far as I possibly can.” As far as I can determine, he has been retired for over thirty years now. I wish him success in his goal.


On a recent new episode of SNL, Kate McKinnon, playing the high school principal at a Zoom graduation, said, “The bad news is you’re about to pay full price for fancy colleges when they are all just University of Phoenix online with worse tech support.” That sums up my feelings exactly.

An entire generation of students, through no fault of their own, are becoming victims of home schooling and a tepid national response from a dangerous and delusional President, made worse by clueless governors desperate to jumpstart an economy regardless of the risks to citizens.


My favorite memory of actor/comedian Jerry Stiller, who passed away recently, is his enervated shrieking of “SERENITY NOW!” on a “Seinfeld” episode. Around that time, as the managing director of a beleaguered theatre, I had SERENITY NOW!!! posted at the top of my computer screen. It helped calm me, somehow. Or at least it made me laugh every morning.

A recent stream of “Hearts of Space” (https://v4.hos.com/home) – a program that is still, to my mind, the most brilliantly curated collection of contemplative music ever – was called “Deep Serenity.” I listened to it three times in one night. That helped, too.


Here’s what I did in my solitude after submitting some last-minute paperwork for the job:

This afternoon, I walked out to survey my front yard with plans to finally go to a garden center and jump start my long-delayed spring planting. As I walked back in the front door, I rang the doorbell to make sure it still works.

I made some watercress pesto. I’ve developed a pesto recipe featuring Alabama products including watercress, pecans, garlic and spring onions, peanut oil, and local goat cheese.

I saw an online headline that asked “Are you washing your sheets often enough?” and when I heard myself answer No out loud, I decided I should wash my sheets.

While my sheets were washing, I listened to American Fashion Podcasts featuring Florence, Alabama-based designers Natalie Chanin (https://omny.fm/shows/american-fashion-podcast/the-alabama-chanin-story) and Billy Reid (https://omny.fm/shows/american-fashion-podcast/229-billy-reid-an-icon-of-the-slow-fashion-movemen).

I am training myself to be satisfied with streaming movies, although I find that experience far from satisfactory. So far, I’m mostly watching documentaries. Two of my pet film festivals, Sidewalk in Birmingham (https://www.sidewalkfest.com) and the New Orleans Film Festival (https://neworleansfilmsociety.org/festival), are offering streaming films during the pandemic. When you stream one of their offerings, a portion of the fee goes back to the festival. I’m sure other film festivals are offering similar services. So far, I’ve watched documentaries about film critic Pauline Kael, fashion designer Yves Saint Laurent, and New York Times street and fashion photographer Bill Cunningham, and a few others, but those biographic profiles stand out.

I watched photographer Matthew Beck’s “Shelter in Place” (https://http://www.newyorker.com/…/watch-neighbors-connect-in-shelterin-place), a New Yorker documentary short. He shoots his neighbors from his apartment as they sit or stand in the windows of their own apartments and share their feelings about our current crisis. It is a loving and poignant summary of this current moment in human history.

During a large part of my adult life I have been alone but I have rarely felt lonely. As much as I want things to return to normal (and as much as I detest the phrase “new normal”!), I have been able to find peace in a stoic and patient solitude.

I suspect that I can wait this thing out without too much trauma. I hope more of us find that they can, too. The relief of being a “pensioner” is, in fact, bringing some serenity, now.

Sustenance

Sustenance does not come only from food and drink. In my own food memory, I am sustained by vivid recall of meals I had, with whom I had them, the service and the conversation and the ambience of the room; sometimes, though, when I remember such an event, I have only a vague recall of what I actually ate – only that the meal itself was an indispensable part of the memorable event.

Natalie Chanin’s “Friends of the Café” dinners at her Alabama Chanin factory in Florence (www.alabamachanin.com) provide many levels of sustenance – only a part of which comes from the food and drink and the amazing chefs that create them.

My most recent Florence dinner was helmed by Asha Gomez, a native of India who has been in the United States for several decades and who has been creating food memories in Atlanta for most of the past ten years.

The Gomez “Friends of the Café” dinner on a Thursday in August anticipated the beginning of Billy Reid’s annual “Shindig” weekend. Reid, the other internationally acclaimed fashion designer based in Florence (www.billyreid.com), hosts a late summer event featuring his clothing line, concerts and screenings, and chefs and meals in various venues that create a “go to” weekend for arts, fashion, food, camaraderie, and innovation in the Shoals.

Alabama Chanin’s pre-Shindig dinner is always sold out and includes the regulars who travel from near and far for her dinner as well as fashion, food, and entertainment professionals in town for Shindig.

The sustenance comes from being in a place where forward-thinking Southerners and others are gathered together and one realizes that – despite the headlines and political turmoil and despite the international joke that Washington, D.C. has become – we are not alone.

The sustenance comes from the “Friends” events’ long-standing relationship with Southern Foodways Alliance (www.southernfoodways.org), which is the beneficiary of proceeds from most of the dinners. John T. Edge, Director of SFA, is a regular attendee at the dinners and his passionate introduction to the recent meal and to Asha Gomez was a masterful and positive statement on current events, a response to the “immigrant” issue as exemplified by Gomez, and a positive evocation of the forward-thinking and amalgamated South “just over the horizon – always just over the horizon.”

Gomez’s book on cooking, My Two Souths: Blending the Flavors of India into a Southern Kitchen (Running Press, 2016), is an honestly detailed journey into her life and how her two souths, southern India and the American South, have created the sensibility of her aesthetic and cuisine. In her opening comments preceding the dinner, she balked at the word “fusion” – calling it “the other f-word.” Her food is personal, evolving from her roots in Kerala, India, and ever-expanding with the discovery of new foodways, new ingredients, and the commonalities contained therein. For Gomez, Southern fried chicken was nothing new; she brought her own strong tradition of fried chicken from Kerala.

Gomez claims both Southern India and the Southern U.S. as “home” and her food is a reflection and immersion into the rich compatibility of those shared homes, shared and unique flavorings, and Gomez’s personal interpretation of all of it.

Gomez understands why someone like me might be skeptical about Indian cuisine. I have been known to say that it is my least favorite of the international cuisines readily available in the States. I like the taste profile, the ingredients, and the spices of Indian cuisine well enough but have never been enchanted with its presentation in many Indian restaurants I have tried – usually at the urging of more enthusiastic friends. Gomez knows that the cuisine of her homeland is not represented by “the $4.99 buffets” and other iterations common to the American landscape and seeks to exalt it in a more authentically representative manner.

Sustenance comes in meeting new friends and getting better acquainted with others. My friend Cindy and I were seated at a table full of food professionals in town for Shindig. I was seated next to John T. Edge and across from Vanessa and Rick, a lovely Florence couple, and the conversation was lively and far-reaching. “I hear you’re in town to sign your 300th book,” I said to Edge. “Only 250, I think,” he blithely replied (actually, it’s over a dozen). John T. Edge’s latest, The Potlikker Papers (Penguin Press, 2017), is billed as “A Food History of the Modern South.”

Cindy was sitting beside a group of pastry chefs and other food professionals from New Orleans and the hilarity was pretty much non-stop off to my right side.

The evening commenced with hearty passed hors d’oeuvres including black pepper and black salt spiced roasted cashews, fry bread with mint chutney and quick pickled carrots, and curry chicken samosa pockets. The featured beverage, the “Muscadine Vine,” was a combination of muscadine wine, vinho verde. Prosecco, lime, and mint which successfully tamed and enhanced the tricky sweetness of muscadine wine. 

A first course of Sunday Vegetable Stew featured chunky vegetables in a lovely coconut milk base. A Kerala Fish Curry with kichidi grits and tempered mustard oil was the second offering. The fish beautifully rested on a lush bed of perfectly seasoned and perfectly cooked grits and the sauce melded the flavors in a pleasing manner.

Beef Biryani was the third course, served family style. In My Two Souths, Gomez describes biryani as a “celebration dish” and describes the traveling biryani chefs of India as being similar to American barbecue pit masters. Her version for the recent dinner featured chunks of beef over rice with an intensely diverse panoply of spices and seasonings. Each course was accompanied by a complementary wine pairing.

After three very hearty and satisfying dishes, the undisputed star for the diners at my table seemed to be the dessert course. The Three Spice Carrot Cake arrived to a chorus of delighted responses and the first bite did not disappoint.

The sustenance of the evening came to fruition with the sustenance of the actual meal that brought us all together in a spirit of community and enlightenment. During Edge’s opening remarks about the Southern community being forged throughout the region by forward-thinking people of all stripes, Natalie Chanin quipped about it being found “in a former tee-shirt factory in the industrial section of Florence, Alabama.” She was right. The “Friends of the Café” events are forging that community three or four times a year at her factory and in events like Shindig.

I always leave these events with rejuvenated inspiration. I admit that I still have a somewhat wary relationship with Indian cuisine, but Asha Gomez has opened my mind and broadened my perspective. Indian restaurants may not become my first dining choice, but I will eagerly consume and find sustenance in the boundary-breaking cuisine of Asha Gomez.