Tag Archives: George Winston’s December

September Song

My mental and emotional soundtracks tend to run toward the very seasonally suggestive. While George Winston’s December album never works for me beyond its titular month, Joni Mitchell’s The Hissing of Summer Lawns lags after Labor Day.

September rolls around and it’s hard to ignore the imminence of Autumn. The last days of August were grey and partly gloomy as the eastern-most remnants of Hurricane Laura passed through northern Alabama; other storms followed in her wake. Fall college football season will be so depleted as to create anxiety and despair rather than jubilation; it’s hard to work up the usual enthusiasm for a Kentucky Derby on Labor Day weekend without crowds. Even so, I want Bob Baffert-trained horses to win.


Back in the early summer, four packets of flower seeds arrived in my mother’s mail with a charitable solicitation. They sat around for a bit and, one day, when I had the luxury of working in my yard, I popped them in four separate pots without great expectations.

Ultimately, most of the seeds have sprouted and grown with varying levels of success, but the only ones to bloom so far are the vivid blue forget-me-nots. The garden table and surrounding yard where they sit is laden now with leaves from the cherry tree in the neighbor’s yard. That tree is always the first to shed its leaves, but also among the first to herald spring a few months later.


Short days and cooler weather often have a negative effect on my mood, but a suggestive impact on my inner soundtrack. I will swear that yesterday, on the first morning of September, I woke up with Earth, Wind & Fire’s “September” running constantly through my head.

As I got more awake, “Try to Remember,” from the Tom Jones and Harvey Schmidt chamber musical The Fantasticks, began to dominate with its recurring motif of words that rhyme with September and other infectious internal rhyme and wordplay.

More fully awake, the tune that haunts me is Green Day’s “Wake Me Up When September Ends,” a song that, like all universal literature, morphs depending on the moment. Written in response to a parent’s death from cancer, it has dealt with the tragedy of 9/11 and war and the loss of life and dignity after Katrina.

My most visceral musical response to this particular September of 2020, however, is Rosanne Cash’s haunting duet with her father, Johnny, in her song “September When It Comes,” a plaintive song of memory, pain, and reconciliation. She sings:

Well first there’s summer, then I’ll let you in.
September when it comes.

These past six months have done a number on all of us. The pervasive pandemic and its still-indecisive outcomes and after-effects have worked on all of our nervous systems, regardless of our political affiliations. The fact that it has become political adds to the undeniable and needless tension and stress.

I have chosen to minimize my intake of “news” for a while. I need to step back and more judiciously protect the information I consume. I need to halter the despair.


The writer, Verlyn Klinkenborg, whose contemplative essays often provide balm in times of stress, remarked on the over-saturation of media coverage in the aftermath of 9/11 almost nineteen years ago. He calls 9/11/2001 “that sudden Tuesday.” Could it ever be summarized more perfectly?

Reacting to the saturation of media coverage of that event, and to the fact that we Americans were re-playing the tragedy over and over on our screens, Klinkenborg wrote:

It’s hard to know, just yet, whether for each of us this witnessing has caused an erosion or a sedimentation, a stripping away of the skin or a callusing. But paradoxical as it may sound, to continue to bear witness, in conscience, it may be necessary to stop watching for a while, to turn off the television, to break what for some people has become a self-reinforcing circle of despair.


In those stoic days after 9/11, I was working at Alabama Shakespeare Festival in Montgomery. Our theatre complex was located in a pastoral park, across the lake from the Montgomery Museum of Fine Arts. A couple of days after “that sudden Tuesday,” I escaped to the Museum for a quiet lunch away from the news reports that permeated every space I encountered.

A group of older ladies was seated at a table near me. As I eavesdropped on their chatter, I discovered that they were from all over the country — stuck for a while at a hotel in Montgomery, waiting for the airports to open and for travel to resume. Periodically, during the conversations, I heard references to the tragedy that had left them all stranded for a moment in time. Mostly, however, I heard the resolute and determined voices of American women who were forced together in the most unlikely of circumstances and were making connections and “making do” until they were able to move on with their lives.  They were awaiting the break in the clouds that engulfed us.


Might that “circle of despair” be somehow broken in this current moment?

Impending December

Thirty years ago, as the first day of December eased in on a cold midnight, I was sitting at the City Pier on the New London, Connecticut, waterfront. I was in the former whaling center and seaport on tour with a theatre group and had just completed a long and difficult work day in a long and occasionally demanding schedule.

As late and as cold as it was, I had walked through the quiet, empty town toward the water in a light snow to let the frigid sea air clear my head. The walk to the waterfront includes a charming statue of an earnest Eugene O’Neill as a boy, writing intently on his tablet. The acclaimed playwright spent boyhood summers at his family’s Monte Cristo Cottage a couple of miles down the harbor.

As I sat at the harbor, I listened to George Winston’s classic 1982 album December on my Walkman. That music became a frequent companion on the fall 1989 tour. It relaxed me in particularly stressful times.

As each December approaches, I find myself thinking about the soothing music of December. It speaks to the title’s power of suggestion that I only think about that album when December approaches; I would never think of listening to it after New Year’s Eve. Winston’s meditative solo piano perfectly captures the mood of the winter holiday season with its long dark nights, bittersweet memories, pensive moods, and festive gatherings.

December is upon us in this Thanksgiving week of late November. Holiday decorations are beginning to pop up in neighborhoods and stores are already a frenzy of commercial Christmas “cheer.” I plan to find my Christmas wreath at this Saturday’s Pepper Place Market in downtown Birmingham. My Christmas cards are boxed up and ready to be taken to the post office on December 1.

Everything in Alabama will seem to grind to a standstill on the afternoon of November 30 as the annual Iron Bowl football game between Alabama and cross-state rival Auburn occurs – the 84th time that this rivalry has been played. For years it was played in Birmingham’s Legion Field; now it alternates between Tuscaloosa and Auburn. It is as entrenched as any holiday tradition.

My annual December trip to the Grand Hotel on Mobile Bay is on hold. I took too long to figure out my dates and there seem to be no rooms at the inn. I will keep working on it, and I could always go somewhere else – or even take a room somewhere near Point Clear – but the pull of the Grand is strong for me this time of year and I am determined to still make it happen. Memories of Spanish moss hanging from holly trees on the lagoon are always a strong pull.

Another piece of music that comes to mind around December is Joni Mitchell’s classic, “River,” which writer Dan Chiasson calls “the song that, almost two thousand years late, made the Christmas season bearable.” “It’s coming on Christmas,” Mitchell sings, “They’re cutting down trees / Putting up reindeer / Singing songs of joy and peace // Oh I wish I had a river I could skate away on …”

I prefer my rivers unfrozen, but the sentiment is clear. As dear as the Christmas holiday is, it can also be a time of stress and tension and feelings of loss. Whenever I hear somebody say, “I’ll be glad when the holidays are over,” I cringe a little.

But I get it, too.

In the meantime, I will celebrate the holidays and – like my mother’s dog, Lulu – I will seek out my warm spot in the sunshine until I find a river I can sail away on.